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Later, Sayers worked for Blackwell's and then as a teacher in several locations, including Normandy, France.Sayers's longest employment was from 1922 to 1931 as a copywriter at S. Benson's advertising agency, located at International Buildings, Kingsway, London.On a line-by-line basis, Sayers's translation can seem idiosyncratic.For example, the famous line usually rendered "Abandon all hope, ye who enter here" turns, in the Sayers translation, into "Lay down all hope, you who go in by me." The Italian reads "Lasciate ogne speranza, voi ch'intrate", and both the traditional rendering and Sayers' translation add to the source text in an effort to preserve the original length: "here" is added in the traditional, and "by me" in Sayers.She is also known for her plays, literary criticism, and essays.Sayers, an only child, was born on 13 June 1893 to Helen Mary (née Leigh) at the Headmaster's House, Christ Church Cathedral School, Oxford. A., from Littlehampton, West Sussex, was a chaplain of Christ Church and headmaster of the Choir School.Her experience of Oxford academic life eventually inspired her penultimate Peter Wimsey novel, Gaudy Night.Sayers's first book of poetry was published in 1916 as OP. Her second book of poems, "Catholic Tales and Christian Songs", was published in 1918, also by Blackwell.
He wrote the best-selling Christian apologetics book Who Moved the Stone?
It provides a suitable quantity of gas, with which to blow out a mass of crude misrepresentation into a form that the public can swallow." My detective story begins brightly, with a fat lady found dead in her bath with nothing on but her pince-nez. If you can guess, you will be in a position to lay hands upon the murderer, but he's a very cool and cunning fellow ... 101, Reynolds) Lord Peter Wimsey burst upon the world of detective fiction with an explosive "Oh, damn!
" and continued to engage readers in eleven novels and two sets of short stories, the final novel ending with a very different "Oh, damn! Sayers once commented that Lord Peter was a mixture of Fred Astaire and Bertie Wooster, which is most evident in the first five novels.
Also, the addition of "by me" draws from the previous lines of the canto: "Per me si va ne la città dolente;/ per me si va ne l'etterno dolore;/ per me si va tra la perduta gente." (Longfellow: "Through me the way is to the city dolent;/ through me the way is to the eternal dole;/ through me the way is to the people lost.") The idiosyncratic character of Sayers's translation results from her decision to preserve the original Italian terza rima rhyme scheme, so that her "go in by me" rhymes with "made to be" two lines earlier, and "unsearchably" two lines before that. suggests that, of the various English translations, Sayers "does the best in at least partially preserving the hendecasyllables and the rhyme." "...
That new-washed world of clear sun and glittering colour which we call the Middle Age (as though it were middle-aged) but which has perhaps a better right than the blown rose of the Renaissance to be called the Age of Re-birth".